Golden Age Greek Criticism of Henry Moore’s Reclining Woman :: Essays Papers

Golden Age Greek Criticism of Henry Moores Reclining WomanBoth the bring into being and body of the Reclining Woman sculpture totally tear down our standards as Golden Age Greeks. Not at all can I diagnose out whom this sculptor is representing. Sure I can make out the basic female figure. However the head is way too small in proportion the rest of the body. Maybe Henry Moore has not yet finished this piece. Did he make a mistake in the development of the chest rural area? This could be the case. If still this is a finish piece of art in no terms by us Greeks is this considered Art.What I would have done if I were to complete this hiatus mangled human form is to continue to define the legs and arms especially. Still keeping the reclining look even though this promotes the idea of tree sloth in our eyes. After all, Greek art has to be the ideal of all, the perfect balance of mind and body -- picked up from Plato and his teachings. This shows neither. A great example is the saucer thrower how the figure shows no physical stress or emotion through the face even though he is performing a energetic activity. With this in mind further defining of the face, needed so the figure is anatomically correct and shows no stress through facial expression. This breaks all of our customs duty in sculpture. On the one hand the simplification and distortion of body and limb seem extremely daring departures from the tradition which few do on the other hand, this is reminiscent of the earliest sculpture ever produced, which is far from a perfect balance. Thus he has created a new form that of pure laziness.Moore moldiness think with the third dimension every bit as much as he must think in terms of the other two. mankind ideals should come naturally -- correct proportions with the Platonic idea of mind and body balanced. Tying all of these sculptural ideas together would be a great benefactor for Henry Moore, who seems challenged by every bit of these.Other points to be noted in the execution of the sculptors idea than those of relating the proportions, preserving the perfect body, and suggesting depths. A cardinal requirement, and one which is make much of in any discussion of Greek sculpture, is truth.