A New Vision of Science :: Science Scientific Papers

A New Vision of Science Unique: Traditional feelings in regards to science, (for example, universalism, need and interminable legitimacy) are as of now in question. Relativism appears to crush logical cases to sanity. This paper demonstrates an approach to keep the conventional feelings of logical information while recognizing relativism. Concerning the rehearsing researcher, we supplant descriptivism with constructivism; we adjust relative legitimacy with the case to comprehension; and, we offer methodological procedures for procuring understanding. These procedures we call strangification, which means removing a logical recommendation framework from its specific circumstance and placing it in another unique circumstance. We would thus be able to see the understood presuppositions of the given recommendation framework by methods for the issues emerging out of the utilization of this system. Such an adjustment in the comprehension of science holds significant results. There is an individual foundation for the new comprehension of science I am proposing in this article. These thoughts that are presently contained inside the idea Constructive Realism have been created in the course of the most recent twenty years during collaborations and in cooperatio with different researchers. Presently I am giving them my voice for two or three short contentions why this new understanding isneeded today. It ought to be referenced that the discourse with my previous companions from the Vienna Circle hs, somewhat, been significant in this procedure. The Vienna Circle was so unpredictable and incorporated such a significant number of various thoughts that a few hints of what I am argueing can be found there. By and by, be that as it may, my own comprehension of sciencehas withdrew essentially based on what is typically considered as the Vienna Circle's position toward science. Without monitoring it, the Vienna Circle was the last incredible endeavor for a balanced transcendentalism of science. It was attempting to set up a correspondence of decontaminated human psyche with the world. Presumably, this is the reason they contended so forcefully against customary, for example silly transcendentalism. In opposition to the announced situation of the vast majority of the Vienna Circle's individuals, be that as it may, Constructive Realism doesn't battle against mysticism. I acknowledged particularly the case of Erwin Schrã ¶dinger on the grounds that it has superbly appeared in which degree a researcher is affected by his magical foundation. Checking the bckgound of logical doing one is getting a ton of impressions about otherworldly world.comcepts, supernatural ideas of information and so forth. On the off chance that we dismiss our anxiety to contact transcendentalism, science can even bepushed forward by it. Truth be told we ought to have numerous mysticism. They are offereing irregular viewpoints and this is actually what science needs to advance.

Limited liability company Essay Example

Restricted obligation organization Paper 1. Tortfeasor is the term for an individual who submits a tort True 2. Proximate reason exists when wounds supported were excessively remotely associated with an occurrence to trigger risk False 3. Genuine serious conduct can comprise unjust obstruction with an authoritative relationship False 4. A conventional individual standard decides if supposedly careless direct brought about a penetrate of an obligation of care False 5. Hilliard, an assistant at a Games Unlimited store, takes a video player from the store without authorization. Hilliard is at risk for Conversion 6. Clem, a Delite Dairy sales rep, follows Edna, a sales rep for a Festive Foods, a Delite contender, as Edna visits stores to make deals. Clem requests each of edna’s clients. Clem is no doubt subject for Wrongful impedance with a business relationship 7. Levon leaves his truck at Makeright Vehicle Shop for fix. When Levon will not pay for the work, makeRight won't give him ownership of the truck. Makeright has submitted Trespass to individual property 8. A Rhode Island state forces fines on tire fix business whose pneumatic gear does exclude programmed shut-off changes to ensure workers. We will compose a custom article test on Limited obligation organization explicitly for you for just $16.38 $13.9/page Request now We will compose a custom article test on Limited obligation organization explicitly for you FOR ONLY $16.38 $13.9/page Recruit Writer We will compose a custom article test on Limited risk organization explicitly for you FOR ONLY $16.38 $13.9/page Recruit Writer Bob’s Brakes Tires, Inc. , doesn't have the switches on its gear. Focus, a Bob’s worker, endures a physical issue that a shut-off switch would have forestalled. Carter’s best hypothesis for recuperation is Negligence as such 9. Under the hypothesis of carelessness, a break of the obligation of care requires an imprudent demonstration False 10. Causation in reality exist if a physical issue would not have happened without the defendant’s demonstration True 11. A barrier accessible in an activity dependent on a carelessness hypothesis is that the offended party neglected to demonstrate at least one of the necessary components True 12. An individual’s right to security incorporates the select utilization of their resemblance True 13. An overriding reason is a mediating occasion that forces obligation on a respondent for wounds brought about by the interceding occasion False 14. Incredible Tans, Inc. , utilizes, in its radio promotions, an account by Holly, who claims the rights, without paying for the utilization. After some time, the tune comes to be related with incredible Tans. In Holly’s suit against Great Tans, the firm is in all likelihood obligated for Appropriation 15. In numerous states, the plaintiff’s carelessness is a safeguard that might be brought up in a carelessness suit True. 16. Nesbit distributes in a paper a record of the sexual coexistence of Merinda, who is certifiably not an open figure. The data is valid. This is doubtlessly An intrusion of security 17. Just a predictable mediating occasion can break the association between an unjust demonstration and a physical issue to another False 18. Self-protection is a barrier to a charge of attack True 19. An artisan’s lien is a guard to a charge of trespass to individual property True 20. An individual accept all dangers related with any action in which the individual takes an interest False 21. Severe risk is forced dependent on issue False. 22. To evade exacting item risk, a maker must make an item totally alright for all clients False 23. Green Glass Corporation makes glass bottles for food and refreshment creators to bundle their items for discount dispersion and retail deal. Risk might be forced on Green Glass dependent on An assembling deformity 24. Distortion on a name isn't sufficient to demonstrate a purpose to actuate the dependence of any individual who may utilize the item False 25. Skyline Corporation makes mobile phones. Ginvera records an item obligation suit against Horizon, charging a plan imperfection. Under the Restatement (third) of torts: items risk, in concluding whether to hold Horizon at risk, the court may think about the sensibility of An accessible elective structure 26. Toyoda organization purchases gas pedals and different parts from subcontractors and places them in its vehicles without changing their arrangement. On the off chance that the pedals of different parts are flawed, carefully subject for any harm brought about by the deformities are Toyoda and the subcontractors 27. Ranch Equip, Inc. , makes cultivating hardware. Gail finds that her Farm Equip tractor is imperfect and sues the producer for item obligation dependent on carelessness. To win, Gail must show that Gail endured a physical issue brought about by the deformity 28. Surgeon Equip, Inc. , makes clinical gadgets. Naomi is harmed while utilizing a Medic pacemaker and sues the creator for an item obligation dependent on exacting risk. To win, Naomi must show that None of the decisions 29. GR8 skates Company makes and offers a couple of skates to Homer. GR8 neglects to practice â€Å"due care† to make the skates safe, and homer is harmed subsequently. GR8 is in all likelihood for Negligence 30. A manufacture’s obligation of care doesn't reach out to the examination and testing of items purchased to fuse on the last item False 31. An activity in severe item risk necessitates that the respondent neglect to practice sensible consideration True 32. Stable Tool Company makes fence trimmers. Troy is harmed while utilizing a Stable trimmer and utilizations the organization for item obligation dependent on carelessness. To win, Troy must show that Stable didn't use due consideration concerning the trimmer 33. A vender must caution the individuals who purchase a result of mischief that could result from the predictable abuse of the item True 34. The reason for applying severe risk is a purposeful unjust act False 35. Widespread get together organization makes coffee machines and offers one to Vim through a distortion on the name on which Vim depends and that outcomes in a physical issue to Vim. All inclusive is probably subject for Fraud 36. Rhiana is shopping in Seth’s Food Store when a container of genuinely Bubbly Cola detonates, harming her. Rhiana records a suit against Truly Bubbly, from whom she can recoup just in the event that she can show that she Was harmed because of an imperfection in the item 37. An individual who keeps a local creature might be carefully obligated for any mischief that the creature dispenses True 38. Due consideration must be practiced in structuring an item True 39. Merchants or lessors are at risk just for items that are sensibly perilous False 40. Ketchen Kutters Corporation (KKC) makes kitchen blades and other buyer items. KKC could be subject for a structure deformity if there is a predictable danger of mischief presented by an item and There is a sensible elective plan Chapter 15-16 1. The holder of an artisan’s lien can abandonment and sell the property subject to the lien to fulfill the obligation True 2. Tippi accepts that she needs to get a release in liquidation through an individual’s reimbursement plan. This procedure can be started by a documenting of an appeal by A borrower 3. Any â€Å"person† might be an indebted person in a liquidation continuing. Bogus 4. Francie’s obligation to Gage is past due. Gage brings a lawful activity against Francie to gather the obligation. To guarantee that a judgment in Gage’s favor will be collectable, Gage requests that the court request the seizure of Francie’s property. This is a solicitation for A writ of connection 5. Ping’s obligation to Oak Furniture Warehouse is past due. Oak acquires a judgment against Ping, yet Ping will not pay it. Oak approaches the court for a request that guides the sheriff to hold onto advertisement sell any of Ping’s nonexempt genuine or individual property that is inside the court’s geographic ward. This is a solicitation for A writ of execution 6. Mary’s home is in an express that has a $30,000 residence exception. Mary defaults on a $60,000 obligation that she owes to Nina. Mary’s home is sold at closeout for $80,000. Allude to Fact Pattern 15-2B. On the off chance that Nina recoups short of what she is owed, she can understand the distinction structure Only nonexempt property that Mary possesses 7. On the off chance that a loan boss gets a judgment against an account holder a the borrower can't or won't pay the judgment, the question is at an end False 8. Teona documents an intentional appeal in chapter 11 for help through a liquidation. Obligations that won't be released incorporate cases for Domestic-bolster commitments 9. On the off chance that a debtor’s pay is beneath the middle pay, there is an assumption of chapter 11 maltreatment False 10. Certain liquidation cases might be changed over to reimbursement plan cases with the assent of the account holder True 11. To change obligation an establishment a reimbursement plan, Charlie-who isn't an organization, an association, or a family rancher or angler may record a request in chapter 11 for help through A reimbursement plan 12. One of the essential impacts of a release is to alleviate the risk of a co-indebted person False 13. In a reimbursement plan case, after the indebted person has finished all installments, the court award a release of all obligations accommodated by the arrangement True 14. Bartleby claims $5000 to Countryside Credit Union. As a prejudgment solution for gather the obligation, wide open could utilize Attachment 15. The substance of a family-angler insolvency plan is essentially equivalent to that of a reimbursement plan True 16. Hurried Pastries defaults on some loans, sitting Hasty’s conveyance vehicles. The court can propel Hasty to make occasional money installments to a loan boss with a tied down enthusiasm for the vehicles to balance the devaluation in their worth. This is The satisfactory security regulation 17. Wilbur documents a request in insolvency for alleviation through an individual’s reimbursement plan. Wilbur is allowed a release. Obligations that won't be released incorporate cases for Fraudulently caused obligation 18. Individual property that is frequently absolved from fulfillment of judgment obligations does exclude domesticated animals False 19. Flip’s obligation to George is past due

Finding Musicality in Your Writing

Finding Musicality in Your Writing Every time you put pen to paper or fingers to the keyboard, you are delivering an image to the world. Its an image of who you are and, more importantly, how you communicate. If you want to stand out in written communication, you need to take another important step. You need to add musicality to your writing.What is musicality in writing anyway? Is it special words or phrasing? Is it rhythm or a particular beat? Is it a special combination of sentences? Is it the varied patterns of your words? Its all of these and more. Musicality is your communication brandâ€"who you are as a writer. Musicality is your unique image, but its an image that appears in print instead of as a picture or an item you buy. So, how do you find it?Producing musicality in writing is similar in many ways to what a composer, a painter, a software programmer, or a designer does. It is seeking out and recognizing the unique sound patterns that you alone can produce on paper. That pattern is based on the words you ch oose and how you combine them to create your personal writing melody.Every piece of writing has a rhythm and its own particular beat. If youve ever read a passage in a letter or a research paper, a proposal or brochure, or a novel that you found really stayed with you, youve probably experienced musicality. To explain what happens a bit more precisely, think of attitude. Everything we write has its own special attitude. That attitude is the soul of the writing. A writer wants to communicate some part of himself or herself to an audience. Most writers spend a lot of time seeking the right attitude for a piece of writing. There are different attitudes of course for different audiences and different genres of writing, but the goal is always to express that one best attitude in every piece you write, Musicality must have attitude.To understand attitude better, think of the following scenario. Think of yourself as being in a crowded room and wanting to be heard over the noise. You want p eople to hear what you will say because what you have to say is important. You climb on a chair and start to speak, but you dont yell. You whisper. Everyone looks at you high on that chair and becomes silent. You have them. If as a writer, you create an attitude that works, the readers in the back of your creative room will hear you just as clearly. You will drop a pin in that crowded room, and your readers will be suddenly silent because your pin is a huge diamond. Thats the kind of silence you want in writing. Attitude comes from musicality.To use another analogy, think about the theme of your favorite movie, and then think what that movie would be like if the movie theme were missing and there was only silence as the action scenes raced across the screen. Can you imagine Superman, Star Wars, or Jurassic Park without their musical scores, without their repeating themes? Musicality in writing produces a similar background for your writing. Musicality offers the same flow of scene, emotionality, and direct focus that great movies themes give to great films. Musicality is the rhythm of syllables becoming words, the flow of phrasing that becomes fascinating, and memorable repetitive patterns, or even jolting change that stops you cold. Its that unique sound that comes from hearing just the right word combined in just the right turn of phrase to communicate just the right idea at the right moment.Musicality in writing is a bit like a lyrical song or the repetitive beat in great jazz. It is a pattern you create to communicate an idea. It grabs your attention, holds you in its grasp, and replays in your memory long after the song is ended or the music stops. All of us can remember a special line from a song we loved or a bar of music we hummed. It replays in our heads over and over for hours as we go on with our daily lives. Musicality in writing is the same special combination of sound. Word juxtaposition, phrasing rhythm, and tonal sounds all produce a totality that becomes magical. If you can find such magic in your writing, whatever the goal for your piece, youll have in hand a unique communication that creates an unbroken bond with your reader. That bond can be to a sales letter, a brochure, a statement of purpose, a recommendation letter, a technical explanation, or a scientific abstract â€" it doesnt matter the purpose or the genre or the length. The concept is the same. Once you place your personal style of musicality on a piece of writing, that piece will engage your reader, excite the senses, and be remembered. It will also influence, and its ideas will be handed on to others.Rhythm is a pattern like those you hear in jazz as in Dave Brubecks famous Take Five. That piece has a wonderful precise theme that keeps repeating and reappearing in different arrangements. You remember it. Ive always wanted to write as well as George Gershwin wrote music. Listen to Rhapsody in Blue or An American in Paris sometime, and youll understand music ality. Gershwin delivered an emotion in those pieces that we still can feel today, and he did it with tone and rhythm and musical themes.Musicality is a chosen pattern of words you consciously place in your writing. It lets words move in concert across the page. It can be syllables, or alliteration or use of metaphor or a simile, or a pattern of sounds that you determine is a crazy pattern for your piece. It is a pattern that continues on and joins with itself and is only interrupted when you want it to do so for a specific purpose. When you read aloud a piece that has musicality, it moves easily with highs and lows, and the sounds of the syllables blending naturally to communicate a precise sound you can physically hear, a sound that hopefully matches the theme.As you write, listen carefully to the words and phrases, and sentences you create. Listen for the unique meter or rhythm of your words as your ideas develop and become sentences and then paragraphs. Listen for natural sound breaks too. They will tell you where the idea breaks occur. Listen to your introductory words and notice where you placed them and how the musicality and meaning changed when you changed the placement of certain words. Notice where the rhythm and the flow changes, and ask yourself, Is this what I want right now?You might call musicality the heartbeat of a piece of writing. The heart has its own beat that we all can hear when were quiet â€" ba- dum, ba-dum, ba-dum. Poems have their own heartbeat too. Its called meter. It can be iambic pentameter or singsong, or one of many combinations with different weights for different syllables. Everyday speech has its own rhythm and sound. Listen to people talk when youre at the mall or in a restaurant. That is musicality. Different languages have their own musicality, and all cultures have their own.If you listen to your thoughts as you write them and then listen to the actual sound they make as you edit and revise, youll develop your own brand of musicality. You will conduct an orchestra of ideas. Eventually, youll learn to recognize when your writing is off-key and learn how to rearrange the sounds and rhythms and louds and softs to bring your writing back in tune again. Youll really hear your writing. If you listen well, you will write well and better.

Essay General Knowledge - Rondo Op.51 No.1 in C Major by...

Rondo Op.51 No.1 in C major by Beethoven †¢ Rondo: a musical form characterized by a repeated theme that alternate with other themes †¢ Opus: a number given chronologically order the works of a composer †¢ This rondo was composed between 1796 and 1797. †¢ About the composer and period: Beethoven, Ludwig van (1770-1827) †¢ Period: Classical (1750-1820)/early Romantic (about 1820/30s-1910) †¢ Nationality: German †¢ Contemporaries: Haydn, Mozart, Clementi †¢ Works included: †¢ 32 piano sonatas (including the Pathetique; the Moonlight; the Appassionata); bagatelles, 6 sonatinas †¢ 9 symphonies - including the Eroica (3rd); Pastoral (6th); the Choral (9th) †¢ chamber music - including 9 piano trios, 5 cello and piano sonatas†¦show more content†¦minant of C major) Bars 21-24 D major (Dominant of G major) C2 Bars 25-28 G major Bars 29-30 A minor (Relative minor of C major/Supertonic of G major) Bar 31 G major Bar 32 A minor/G major Bars 33-34 (beat 2) G major D (codetta) Bars 34 (beat 3)-38 G major †¢ F# diminished 7 in bars 35, 37 Bars 39-43 (beat 2) A hint of C minor (Tonic minor of C major) A’’ Bars 43-48 C major Bars 49 (beats 1-2) G major Bars 49 (beat 3)-51 C major (with chromatic notes) E1 Bars 52-54 (beat 2) C minor (Tonic minor of C major) Bars 54 (beat 3)-55 (beat 2) F minor (Subdominant of C minor) Bars 55 (beat 3)-56 Leading to C minor Bars 57-59 E flat major (relative major of C minor) E2 Bars 60-63 E flat major Bar 64 A hint of F minor Bar 65 A hint of G minor Bars 66-67 (beat 2) C minor E1 Bars 67 (beat 3)-69 (beat 2) C minor Bars 69 (beat 3)-70 (beat 1) F minor Bars 70 (beat 2)-71 (beat 2) C minor Bars 71 (beat 3)-72 (beat 1) F minor Bars 72 (beat 1 ï  ¸s)-73 C minor Bridge 1 Bars 73-76 (beat 2) Chromatic scale passage leading to A flat major A’’’ Bars 76 (beat 3)-83 A flat major Bar 83 (beats 3-4) Leading to C minor (Dominant) B’ Bars 84-92 (beat 2) C minor A’’’ Bars 92 (beat 3)-100 C major B’’ Bars 100 (beat 3)-105 (beat 2) C major (with chromatic notes) A’’’’ Bars 105 (beat 3)-106 (beat 2) C major Bars 106 (beat 3)-107 (beat 2) C minor Bars 107 (beat 3)-110 D flat major Bridge 2 Bars 111-113 (beat 2) D flat major Bar 113 (beats 3-4) FShow MoreRelatedKey Signature and Beethoven9252 Words   |  38 Pagesvan Beethoven and His Achievements Thesis Statement: Beethoven is one of the greatest composer in the history of music. He played a big role in the world of music. He was the one who initiated among his co-composers the freedom to express themselves. Some of his masterpieces were Eroica Pastorale, Fideleo and the religious composition entitled Missa Solemnis. I. Introduction II. The Man and His Music A. Historical background 1. Early

Stories have been a part and parcel of mankind’s...

Stories have been a part and parcel of mankind’s collective consciousness and social culture since the dawn of man’s awareness. They have served as guidelines and a means of ingraining and maintaining values, norms, mores and in innumerable cases defined the precepts for acceptable behavior for men, women and children within a community. Many of them are based in pre-history (myth) and history while still others are based on and are a reflection of contemporary civilization and yet others are set in distinctly futuristic time lines. Some are passed on for generations, becoming interwoven into the cultural fabric of a civilization; for example The ‘Mahabharata’ and ‘Ramayana’ epics of the sub-continent, define its cultural ethos as well as†¦show more content†¦After the 6th century A.D, they were replaced by codex. Come the mid-fifteenth century, the invention of the Gutenberg printing press by Johannes Gutenberg and subsequently the st eam powered rotary press in the nineteenth-century, ensured the immortality of stories in the form of books and paperbacks. The technological advancements of the twentieth century and the proliferation of publishing houses enabled the story to capture a person’s imagination like never before. Whereas, in the days of Yore, the story had to rely on word of mouth, stage and theater artists to reach a wider audience; now through the medium of books and paperbacks, it could reach a far greater and greatly dispersed humanity. As the spread and reach of stories increased, so did their mesmerizing influence on man. Books and paperbacks ensured the hitherto unknown writer, author, poet, sage, thinker and philosopher to emerge from the pit of anonymity and catapult him/her to the forefront of mass consciousness, commercial success and fame. The invention of the camera, the movie reel and projector, as well as further development in the art of dramatization and acting, facilitated the expansion of the stories’ arc of influence, through actors and script writers as the principal medium. After all, what is an actor if not a story teller? The invention of movies has literally made the story comeShow MoreRelatedWhat Is an Essay?1440 Words   |  6 PagesBuscemi Essay #3 Rough Draft An essay is a creative written piece in which the author uses different styles such as diction, tone, pathos, ethos or logos to communicate a message to the reader using either a personal experience, filled with morals and parables, or a informative text filled with educational terms. Educational terms could mean the usage of complicated and elevated words or simply information you would get in schools. Some authors, such as Cynthia Ozick, claim that an essay has noRead Morenarrative essay1321 Words   |  6 PagesNarrative Essay A Brief Guide to Writing Narrative Essays Narrative writing tells a story. In essays the narrative writing could also be considered reflection or an exploration of the author s values told as a story. The author may remember his or her past, or a memorable person or event from that past, or even observe the present. When you re writing a narrative essay, loosen up. After all, you re basically just telling a story to someone, something you probably do every day in casual conversationRead MoreApplication Essay : A Process Essay770 Words   |  4 Pagesassign an essay. The entire class lets out a groan that could be heard from miles away, however this doesn’t phase your professor. The essay is assigned: a process essay. Now what? What is a process essay? How do you go about writing one? How do you get the A you so desperately need? 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Should you be angry at him for leaving you, or should you support and respect his decision ? In her essay quot;Flight,quot; Doris Lessing illustrates the story of an old man who is learning to let go his granddaughter as she growsRead MoreEssay and Academic Life1117 Words   |  5 Pageslanguage learner? Discuss two or three problems with specific examples and details. Ex. 9 Analyzing students’ essays. Use the assignment and the Student Essays to answer the following questions. Assignment: Computers have become an important part of educational process. Write convincing illustration to this statement. Use specific and convincing examples and details. Student Essay 1 Computer as a multipurpose universal instrument of education. In our days computers have become an importantRead More Community Essay843 Words   |  4 Pagesan important effect on the shaping of a person’s character is key in both Pythia Peay’s essay, â€Å"Soul Searching† and Winona LaDuke’s interview transcribed in essay form entitled, â€Å"Reclaiming Culture and the Land: Motherhood and the Politics of Sustaining Community†. The two authors present ideas, similar and different, of what it means to live in and be a part of community. Through examining these two essays, summarizing and synthesizing, we can gain a better understanding of what community is and

The Stupidest Angel Chapter 8 Free Essays

Chapter 8 HOLIDAY HEARTBREAK Christmas Amnesty. You can fall out of contact with a friend, fail to return calls, ignore e-mails, avoid eye contact at the Thrifty-Mart, forget birthdays, anniversaries, and reunions, and if you show up at their house during the holidays (with a gift) they are socially bound to forgive you – act like nothing happened. Decorum dictates that the friendship move forward from that point, without guilt or recrimination. We will write a custom essay sample on The Stupidest Angel Chapter 8 or any similar topic only for you Order Now If you started a chess game ten years ago in October, you need only remember whose move it is – or why you sold the chessboard and bought an Xbox in the interim. (Look, Christmas Amnesty is a wonderful thing, but it’s not a dimensional shift. The laws of time and space continue to apply, even if you have been avoiding your friends. But don’t try using the expansion of the universe as an excuse – like you kept meaning to stop by, but their house kept getting farther away. That crap won’t wash. Just say, â€Å"Sorry I haven’t called. Merry Christmas.† Then show the present. Christmas Amnesty protocol dictates that your friend say, â€Å"That’s okay,† and let you in without further comment. This is the way it has always been done.) â€Å"Where the fuck have you been?† said Gabe Fenton when he opened the door and saw his old friend Theophilus Crowe standing there, holding a present. Gabe, forty-five, short and wiry, unshaven and slightly balding, was wearing khakis that looked like he’d slept in them for a week. â€Å"Merry Christmas, Gabe,† said Theo, holding out the present, a big red bow on it – sort of waving the box back and forth as if to say, Hey, I have a present here, you’re not supposed to sandbag me for not calling for three years. â€Å"Yeah, nice,† said Gabe. â€Å"But you might have called.† â€Å"Sorry. I meant to, but you were involved with Val, I didn’t want to interrupt.† â€Å"She dumped me, you know?† Gabe had been seeing Valerie Riordan, the town’s only psychiatrist, for several years now. Not for the last month, however. â€Å"Yeah, I heard about that.† Theo had heard that Val wanted someone who was a little more involved with human culture than Gabe. Gabe was a behavioral field biologist who studied wild rodents or marine mammals, depending on who was providing the funding. He lived at a small federally owned cottage by the lighthouse with his hundred-pound black Labrador retriever, Skinner. â€Å"You heard? And you didn’t call?† It was nearly noon, and Theo’s buzz had mostly worn off, but he was still thrown. Guys were not supposed to lament the lack of support from a friend, unless it was backup in a bar fight or help in moving heavy stuff. This was not normal behavior. Maybe Gabe really did need to spend more time around human beings. â€Å"Look, Gabe, I brought you a present,† Theo said. â€Å"Look at how glad Skinner is to see me.† Skinner was, in fact, glad to see Theo. He was crowding Gabe in the doorway, his beefy tail beating against the open door like a Snausage war drum. He associated Theo with hamburgers and pizza, and had once thought of him as the emergency backup Food Guy (Gabe being the primary Food Guy). â€Å"Well, I suppose you should come in,† said Gabe. The biologist stepped away from the door and allowed Theo to enter. Skinner said hi by shoving his nose into Theo’s crotch. â€Å"I’m working in here, so things are a little messy.† A little messy? An understatement on a par with calling the Bataan Death March a nature hike – it looked like someone had loaded all of Gabe’s belongings into a cannon and fired them into the room through the wall. Dirty laundry and dishes covered every surface except for Gabe’s worktable, which, except for the rats, was immaculate. â€Å"Nice rats,† Theo said. â€Å"What are you doing with them?† â€Å"I’m studying them.† Gabe sat down in front of a series of five-gallon aquariums arranged around a center tank in a star pattern and linked by Habitrail tubes, with gates for routing rats from one chamber to another. Each of the rats had a silver disk about the size of a quarter glued to its back. Theo watched as Gabe opened a gate and one of the rats rushed to the center tank and immediately tried to mount its occupant. Gabe picked up a small remote control and hit the button. The attacking rat nearly did a backflip trying to retreat. â€Å"Ha! That’ll teach ‘im,† Gabe shouted. â€Å"The female in the center cage is in estrus.† The rat backed away tentatively and did some sniffing, then attempted to mount the female again. Gabe hit the button. The male was jolted off of her. â€Å"Ha! Now do you get it?!† Gabe said maniacally. He looked up from the cages to Theo. â€Å"There are electrodes on their testes. The silver disks are batteries and remote receivers. Every time he gets sexually aroused, I’m hitting his little nuts with fifty volts.† The rat made another attempt and again Gabe hit the button. The rat spazzed its way to the corner of the cage. â€Å"You stupid shit!† Gabe shouted. â€Å"You think they’d learn. I’ll hit each of them with the jolt a dozen times today, but when I open the cage tomorrow, they’ll all run back in and try to mount her again. You see, you see how we are?† â€Å"We?† â€Å"Us. Males. See how we are. We know there’s going to be nothing but pain, but we go back again and again.† Gabe had always been so steady, so calm, so professionally detached, scientifically obsessed, so dependably nerdy – Theo felt as if he were talking to a whole different person, like someone had scrubbed off all the intellect and had exposed the nerves. â€Å"Uh, Gabe, I’m not sure that we should equate ourselves with rodents. I mean – ; â€Å"Oh, sure. That’s what you say now. But you’ll call me and tell me I was right. Something will happen and you’ll call. She’ll stomp your heart and you’ll finish the destruction she starts. Am I right? Am I right?† â€Å"Uh, I – † Theo was thinking about the graveyard sex followed by the fight he’d had with Molly last night. â€Å"So I’m going to change the association. Watch this.† Gabe stormed over to a bookshelf, threw aside a bunch of professional journals and notebooks until he found what he was looking for. â€Å"See. See her.† Gabe held up a recent Victoria’s Secret catalog. The model on the front was wearing garments spectacularly inadequate in concealing her appeal. She looked as if she just couldn’t be happier about it. â€Å"Beautiful, right? Amazing, right? Hold that thought.† Gabe reached into the pocket of his khakis and pulled out a stainless remote just like the one on the rat table. â€Å"Beautiful,† he said, and he hit the button. The biologist’s back arched and he suddenly became six inches taller, all the muscles of his body seeming to flex at once. He convulsed twice, then fell to the floor, the crumpled catalog still in his hand. Skinner lapsed into a barking fit. Don’t die, Food Guy, my bowl is on the porch and I can’t open the door by myself, he was saying. It was the same every time, he was always glad when the Food Guy wasn’t actually dead, but the Food Guy’s convulsions made him anxious. Theo rushed to his friend’s aid. Gabe’s eyes were rolled back and he twitched a couple of times before he sucked in a deep breath and looked Theo in the eye. â€Å"See. You change the association. Won’t be long and I’ll have that reaction without the electrodes glued to my scrotum.† â€Å"Are you okay?† â€Å"Oh yeah. It will take hold, I know it. It hasn’t worked with the rats yet, but I’m hoping it will before they all die.† â€Å"They’re dying of this?† â€Å"Well, it has to hurt or they’ll never learn.† Gabe held up his remote again and Theo snatched it out of his hand. â€Å"Stop it!† â€Å"I have another set of electrodes and receiver. You want to try it? I’ve been dying to try it out in the field. We could go to a titty bar.† Theo helped Gabe to his feet, then set him in a chair facing away from the rat table and pulled a chair around for himself. â€Å"Gabe, you are out of control. I’m sorry I didn’t call.† â€Å"I know you’ve been busy. It’s okay.† Great, now he has the appropriate Christmas Amnesty reaction, Theo thought. â€Å"These rats, the electrodes, all of it, it’s just wrong. You’re just going to end up with either a bunch of paranoid misogynist males, or a pile of corpses.† â€Å"You make that sound like a bad thing.† â€Å"You got your heart broken. It will heal.† â€Å"She said I was dull.† â€Å"She should see this.† Theo gestured around the room. â€Å"She wasn’t interested in my work.† â€Å"You guys had a good run. Five years. Maybe it was just time. You told me yourself that the human male was not evolved for monogamy.† â€Å"Yeah, but I had a girlfriend when I said that.† â€Å"So it’s not true?† â€Å"No, it’s true, but it didn’t bother me when I had a girlfriend. Now I know that I am biologically programmed to spread the seed of my loins far and wide, to as many females as possible, a series of torrid, meaningless matings, only to move on to the next fertile female. My genes are demanding that I pass them on, and I don’t know where to start.† â€Å"You might want to shower before you start the seed spreading.† â€Å"You don’t think I know that? That’s why I was trying to reprogram my impulses. Tame the animus, as it were.† â€Å"Because you don’t want to shower?† â€Å"No, because I don’t know how to talk to women. I could talk to Val.† â€Å"Val was a pro.† â€Å"She was not. She never turned a trick in her life.† â€Å"Listener, Gabe. She was a pro listener – a psychiatrist.† â€Å"Oh, right. Do you think I should start with a prostitute, or ‘tutes?† â€Å"For a broken heart? Yeah, I’m sure that will work just as well as the electrodes on your scrotum, but first I need you to do something for me.† Theo thought maybe, just maybe, work – nonfreakish work – might bring his friend back from the brink. He reached into his shirt pocket and pulled out the hank of yellow hair he’d taken out of the Volvo’s wheel well. â€Å"I need you to look at this and tell me about it.† Gabe took the hair and looked at it. â€Å"Is this crime stuff?† â€Å"Sort of.† â€Å"Where did you get it? What do you need to know?† â€Å"Tell me everything you can about it before I tell you anything, okay?† â€Å"Well, it appears to be blond.† â€Å"Thanks, Gabe, I was thinking maybe you could look at it under the microscope or something.† â€Å"Doesn’t the county have a crime lab for that?† â€Å"Yeah, but I can’t take it to them. There are circumstances.† â€Å"Like?† â€Å"Like they will think I’m stoned or nuts or both. Look at the hair,† Theo said. â€Å"You tell me. I’ll tell you. â€Å"Okay, but I don’t have all that cool CSI stuff.† â€Å"Yeah, but the guys at the crime lab don’t have batteries Super-Glued to their gonads. You’ve got them there.† Ten minutes later Gabe looked up from his microscope. â€Å"Well, it’s not human,† he said. â€Å"Swell.† â€Å"In fact, it doesn’t appear to be hair.† â€Å"So what is it?† â€Å"Well, it seems to have a lot of the qualities of optic fiber.† â€Å"So it’s man-made?† â€Å"Not so fast. It has a root, and what appears to be a cuticle, but it doesn’t look like keratin. I’d have to have it tested for proteins. If it’s manufactured, there’s no evidence of the process. It looks as if it was grown, not made. You know polar-bear hair has fiber-optic properties – channels light energy through to the black skin for heat.† â€Å"So it’s polar-bear hair?† â€Å"Not so fast.† â€Å"Gabe, goddammit, where in the hell did it come from?† â€Å"You tell me.† â€Å"Just us, okay? This doesn’t leave this cottage unless We get some confirmation, okay?† â€Å"Of course. Are you okay, Theo?† â€Å"Am I okay? You’re asking me if I’m okay?† â€Å"Everything all right with you and Molly? The job? You’re not smoking dope again, are you?† Theo hung his head. â€Å"You say you have another one of those electrodes?† Gabe brightened. â€Å"You’ll need to shave a spot. Can I open my present while you’re in the bathroom? You can use my razor.† â€Å"No, go ahead and open your present. I have some stuff I need to tell you.† â€Å"Wow, a salad shooter. Thanks, Theo.† â€Å"He took the salad shooter,† Molly said. â€Å"Wow, was that important to him?† Lena asked. â€Å"It was a wedding present.† â€Å"I know, I gave it to you. It was a wedding present to me and Dale, too.† â€Å"See, there was tradition.† Molly was inconsolable. She drank off half of her diet Coke and slammed the plastic Budweiser cup down on the bar like a pirate cursing over a schooner of grog. â€Å"Bastard!† It was Wednesday evening, and they were at the Head of the Slug saloon to coordinate the replanning of the food for the Christmas for the Lonesome party. Lena’s first reaction to Molly’s call to help was to beg off and stay at home, but even as she was creating an excuse, she realized that she’d only sit home obsessing alternately on getting caught for killing Dale and getting her heart broken by this strange, strange helicopter pilot. She decided that maybe meeting with Molly and Mavis down at the Slug wasn’t such a bad idea. And she might be able to find out from Molly if Theo suspected her in Dale’s disappearance. Yeah, fat chance, with Molly obsessing on Theo’s – whatever it was that Theo was supposed to have done wrong. It sounded to Lena like he had just taken a salad shooter to work with him. You were supposed to empathize with your friend’s problems, but they were, after all, your friend’s problems, and Lenaâ₠¬â„¢s friends, Molly in particular, could be a little wacky. The bar was full of singles in their twenties and thirties and you could feel a desperate energy sparking around the dark room, like loneliness was the negative and sex was the positive and someone was brushing the wires together over an open bucket of gasoline. This was the fallout of the holiday heartbreak cycle that started with young men who, lacking any stronger motivation toward changing their lives, would break up with their current girlfriend in order to avoid having to buy her a Christmas present. The distraught women would sulk for a few days, eat ice cream, and avoid calling relatives, but then, as the idea of a solitary Christmas and New Year started to loom large, they swarmed into the Slug in search of a companion, virtually any companion, with whom they could pass the holidays. Full speed ahead and forget the presents. Pine Cove’s male singles, to display their newfound freedom, would descend on the Slug, and avail themselves of the affections of dejected women in a game of small-town sexual musical chairs played hungrily to the tune of â€Å"Deck the Halls† – everyone hoping to have slipped drunkenly into someone more comfortable before the last fa was la-la-ed. There might have been a bubble around Lena and Molly, however, for they were obviously not part of the game. While both were certainly more than attractive enough to garner attention from the younger men, they had about them a mystique of experience, of having been there and moved on, of unbullshitability. Essentially, they scared the hell out of all but the drunkest of the Slug’s suitors, and the fact that they were drinking straight diet Coke scared the hell out of the drunks. Molly and Lena, despite their own personal distress, had slain their own holiday desperation dragons, which was how the Lonesome Christmas party had started in the first place. Now they were on to new, individual anxieties. â€Å"Sloppy joes,† said Mavis, a great cloud of low-tar smoke powering the announcement and washing over Lena and Molly. It had been illegal to smoke in California bars for years, but Mavis ignored the law and the authorities (Theophilus Crowe) and smoked on. â€Å"Who doesn’t like his meat sloppy on a bun?† â€Å"Mavis, it’s Christmas,† Lena said. So far Mavis had only suggested soupy or saucy entres – Lena suspected that Mavis had misplaced her dentures again and was therefore lobbying for a gummable feast. â€Å"With pickles, then. Red sauce, green pickles, Christmas theme.† â€Å"I mean shouldn’t we do something nice for Christmas? Not just sloppy joes?† â€Å"At five bucks a head, I told her that barbecue was the only way to feed them.† Mavis leaned in and looked at Molly, who was muttering malevolently into her ice cubes. â€Å"But everyone seems to think it’s going to rain. Like it ever rains in December.† Molly looked up and growled a little, then looked at the television screen behind Mavis and pointed. The sound was muted, but there was a weather map of California. About eight hundred miles off the coast there was a great blob of color whirling in jump-frame satellite-photo motion, making it appear that a Technicolor amoeba was about to consume the Bay Area. â€Å"Ain’t nothin’,† Mavis said. â€Å"They won’t even give it a name. If that thing was crouched like that over Bermuda, they’d have given it a name two days ago. Know why? ‘Cause they don’t come onshore here. That bitch will turn right a hundred miles off Anacapa Island and go down and dump all over the Yucatan. Meanwhile we won’t be able to wash our cars because of the drought.† â€Å"The rain at least will stop any sand-pirate attacks,† Molly said, crunching an ice cube. â€Å"Huh?† said Lena. â€Å"The hell did you say?† Mavis adjusted her hearing aid. â€Å"Nothing,† Molly said. â€Å"What do you guys think about lasagna? You know, some garlic bread, a little salad.† â€Å"Yeah, we can probably do it for five bucks a head if we don’t use sauce or cheese,† said Mavis. â€Å"Lasagna just doesn’t seem very Christmasy,† said Lena. â€Å"We could put it in Santa Claus pans,† Molly suggested. â€Å"No!† Lena snapped. â€Å"No Santas! We can do a snowman or something, but no friggin’ Santas.† Mavis reached over and patted Lena’s hand. â€Å"Santa played a little grab-ass with a lot of us when we were little, darlin’. Once your mustache starts growing you’re supposed to let go of that shit.† â€Å"I am not growing a mustache.† â€Å"Do you wax? Because you can’t see a thing,† said Molly, being supportive. â€Å"I do not have a mustache,† said Lena. â€Å"You think it’s bad being a Mexican, Romanian women have to start shaving when they’re twelve,† Mavis said. Lena took that opportunity to plant her elbows squarely on the bar and grip two great handfuls of her hair, which she began to pull, slowly and steadily, to make her point. â€Å"What?† said Mavis. â€Å"What?† said Molly. And there was an awkward moment of silence among the three – only the muted jukebox thumping in the background and the low murmur of people lying to one another. They looked around to avoid talking, then turned to the front door as Vance McNally, Pine Cove’s senior EMT, came through it and let loose a long, growling belch. Vance was in his midfifties, and fancied himself a charmer and a hero, when, in fact, he was a bit of a dolt. He had been driving the ambulance for over twenty years now, and nothing gave him pleasure like being the bearer of bad news. It was the measure of his importance. â€Å"You guys hear that the highway patrol found Dale Pearson’s truck parked up in Big Sur by Lime Kiln Rock? Looks like he was fishing and fell in. Yep, surf coming up from that storm, they’ll never find him. Theo’s up there now investigating.† Lena stumbled back to her bar stool and climbed up. She was sure everyone in the bar, all the locals anyway, were looking at her for a reaction. She let her long hair hang down by her face, hiding in it. â€Å"So, lasagna it is,† said Mavis. â€Å"But no fucking Santa pans!† Lena snapped, not looking up. Mavis pulled both of their plastic cups off the bar. â€Å"Normal circumstances, you’d be cut off, but as it is, I think you two really need to start drinking.† How to cite The Stupidest Angel Chapter 8, Essay examples

Direct Marketing and Direct Selling free essay sample

What is the difference between direct marketing and direct selling? Answer: Direct Marketing; definition, â€Å"The total of activities by which the seller, in effecting the exchange of goods and services with the buyer, directs efforts to a target audience using one or more media (direct selling, direct mail, telemarketing, direct-action advertising, catalogue selling, cable TV selling, etc. ) for the purpose of soliciting a response by phone, mail or personal visit from a prospect or customer. † – by Peter Bennett. In simpler words Direct Marketing is a system of marketing by which the organizations communicate directly with target customers to generate a response or transaction. Direct selling, definition,† Direct selling is the personal presentation, demonstration, and sales of products and services to consumers in their homes. † Direct marketing is a process in which the middle men are removed and the product is directly sold to the end users or consumers. While personal selling is one to one selling in which the sales person visits a prospect and closes the sale. We will write a custom essay sample on Direct Marketing and Direct Selling or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Direct selling is a form of direct marketing. Direct marketing and selling both involve dealing directly with the customer, seeking a response, however direct marketing assumes a broader variety of media than just sales. Direct marketing includes, direct selling, direct mail, telemarketing, direct-action advertising, catalogue selling etc. Q 2: Describe the various forms of direct selling and some of the characteristics that make it unique. Answer: There are three forms of direct selling: 1.